Church of Lazarica

Church of Lazarica

Rasinski okrug

75/10060 min

The Church of Lazarica, also known as the Church of St. Stephen the Protomartyr, stands in the center of Kruševac, Serbia. Built between 1377 and 1380 by Prince Lazar as a court church for his newly established capital, it is a prime example of the Morava architectural style. The church features a concise triconch base with three apses and a dome over the central nave. Its exterior showcases a distinctive Byzantine technique of alternating rows of stone and red bricks, highlighted by decorative stone rosettes and intricate stone filigree, considered some of the finest in Morava style. Inside, the church was painted in the mid-18th century by Andra Andrejević, though only fragments remain. The 19th-century iconostasis, attributed to painter Živko Pavlović, has been preserved and restored. Lazarica was the first Serbian monument to undergo professional restoration between 1904 and 1908, reflecting its cultural importance. Today, it is protected as a cultural monument of exceptional significance by the Republic of Serbia, symbolizing medieval Serbian heritage and artistry.

Planifiez votre voyage en Serbie avec l'IA

Créez un itinéraire détaillé en quelques minutes. L'IA suggère les meilleurs endroits, restaurants et un itinéraire optimisé.

Astuce: Visitors are advised to visit during spring and autumn for pleasant weather and fewer crowds. Purchasing tickets in advance is recommended due to the church's popularity. Guided tours provide deeper insight into its architectural details and history. Discounts may be available for students and seniors. Photography is often allowed but check current regulations on-site.

Faits intéressants

  • The Church of Lazarica is one of the earliest examples of the Morava architectural style, marking a significant phase in medieval Serbian architecture.
  • Its exterior features alternating rows of yellow stone and red brick, a distinctive Byzantine building technique.
  • The stone rosettes decorating the facade are considered some of the finest decorative elements of the Morava style.
  • It was the first monument in Serbia to undergo professional restoration and conservation in the early 20th century.
  • The iconostasis inside the church dates back to 1844 and was likely painted by Živko Pavlović, grandfather of the noted Serbian painter Milena Pavlović-Barili.

Histoire

1377

The Church of Lazarica was constructed between 1377 and 1380 by Prince Lazar as a court church for his capital Kruševac.

It represents the early development of the Morava architectural style, influencing subsequent churches like the Kozija Monastery.

After Ottoman rule, the church underwent several amateur restorations in the 19th century.

1904

It was the first Serbian monument to receive professional restoration from 1904 to 1908 under architect Petar J.

Popović.

1989

Conservation efforts continued in 1989, preserving its mid-19th-century iconostasis and architectural integrity.

The church remains a protected cultural monument of exceptional importance in Serbia.

Guide du lieu

1
Narthex and Bell Tower14th century

The western entrance features a narthex originally with three doors, now with side doors sealed. Above it rises the bell tower with a chapel on the upper floor, a notable architectural feature of the church.

2
Exterior Facade14th century

The facade is characterized by alternating rows of yellow stone and red bricks, with wide mortar joints protruding from the surface, creating a textured appearance. Vertical divisions end in archivolts, while horizontal divisions are marked by two cordon cornices. The highest parts feature stone rosettes on a red-yellow checkerboard background, alongside ornamental stone filigree.

3
Interior Frescoes1737-1740
Andra Andrejević

Although the church was not originally frescoed, mid-18th century frescoes by painter Andra Andrejević and his team decorate the walls, though only fragments survive today.

4
Iconostasis1844
Živko Pavlović

Dating from 1844, the iconostasis is fully preserved and likely painted by Živko Pavlović. It underwent conservation in 1989 to maintain its condition.

Map